Invisibility Mask story
Since publishing this project, I have discovered other Bay Area artists who have also implicated mirrors with their bodies: Paul Taylor with his #selfiesuit, and Randy Sarafan who installed a #selfie mirror at Pier 9, San Francisco.
There is something about both projects that I find very constitutive to what it means to have a self in the Bay Area. I keep having this sinking feeling when I’m in public, staring at my cell phone, that I am no longer just a body in the BART station, but I have become multiplied in perpetuity on the internet. My external appearance, my clothes, my hair, no longer fully reflect my reality or my being. What these artists are doing by affixing mirrors to their bodies, is taking the self that is multiplied, and adhering that multiplication onto themselves. There is a strange distance between how we appear to the world around us, and how we feel deep inside. Closing that gap allows us to communicate more effectively with those around us. Paul Taylor told me that when he wears the suit, he becomes more gregarious and able to communicate with strangers. The mirrors, in this sense, become a kind of drag, not in performing one’s gender, but in allowing someone to perform their self. We become, with the mirrors, a constantly shifting reflection of what is around us.
With the use of the two-way mirror, I have taken this project down another road. The two-way mirror not only multiplies my surroundings, but obfuscates my being —I am in public but no longer myself. When you attempt to judge me by my appearance, you instead see yourself. There is a longing for latency in comprehension. I delay the trappings of my identification, while finding myself embedded in a reflection of my surroundings. -2016